MatthewGnann.com

…reading, writing, no arithmetic.

A Few Words on the Prologue

Posted by mgnann on April 7, 2009

I’ve got a new page up. Titled, Prologue, it’s pretty self explanatory, but I do want to give some insight on it.

Ideas for a prologue  have been bouncing around my head for a while now. The current first chapter has gone back and forth from being a prologue to it’s place now, Chapter 1. Who knows where it will end up. I wrote this one because I am doing a lot of work outlining the end, preparing to write the book’s conclusion. And I know, I know, I keep saying, “I’m writing the end!”,  but it is continually more work than I expect.

Because the end is very derivative of the actions that take place in this new prologue,  I needed to know what happened before the story.  So I gathered up the few notes I had about The Time Before and jotted a quick outline. Since Bayon Vothginga and the Flush have been plot devices  hosted in my mind for a long time, I had an idea about the events that I wanted to occur, but as always, once the writing starts, new ideas find their way in.

The story in the prologue takes place a few hundred years or so before the rest of the book ( I haven’t quite figured out the time line to my own story), and I’m a little conflicted about how much I like it. It rushes quite a bit. Seriously, the whole thing could be turned into a short story of it’s own. But once I started fleshing it out for my own purpose, I realized it was a really informative piece. As someone who hasn’t read the complete work, you can’t know how much information is dropped in that seven page prologue.

I think once the book is complete, readers will love going back to this prologue, whether it makes it past the final cut or not, because it is chock full of name drops, foreshadowing, and set up. In my omniscient view of the story, it’s a really fun read. I think it will become a serious gem for anyone who gets a look at it before the book comes out.

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Archetypical Characters

Posted by mgnann on March 23, 2009

Over the past few days I’ve been revising a section near the middle part of the book, three or four chapters in which the character’s personal goals become more wrapped up in the overarching storyline.

The setting is a small trade town that has been taken over by Kabladan’s armies in order to confiscate any trade goods that would be moving to the capital city, Taris. It is the first destination of our two main characters, the knight and the woman, the former who was beseeched by the latter to serve as a guide to get her there.

When I originally wrote this part I knew there were some scenes that did not quite flow the way I wanted them to. The town itself was kind of bland and the side characters popped in and out with no explanation as to who they were or where they came from. I’ve tightened much of that up, added some backstory that will help make these secondary characters more understandable, and interjected some color into a setting that was pretty much black and white.

Overall, I think these 3-4 chapters are  some of the most exciting and action packed sections yet written. So much begins to happen, secrets revealed, fight scenes, information about the invading armies.  My only hope now is that it isn’t too much information for the reader, but I don’t think it will be. Rather I expect these few chapters to be a crux of the book, a sort of turning point where the story begins to open up and show more of the world and it’s history.

Also, two new main characters are introduced for the first time. Which makes our company complete!

One more thing. If you look at the post so creatively entitled, The Book, which now is it’s own page, A Simulacrum, you can see a mention of the six characters I am working with. All are common archetypes found in literature; the warrior, the mysterious woman, the wanderer, etc. Intimate symbols like these are easily recognized by readers and grant them the ability to hitch a ride with a comfortable vehicle that will carry them through unfamiliar terrain.

I’m resisting the urge to turn this into a disquisition about archetypes and unconscious persona’s, so if you’re into that kind of thing and want to learn more about it, and how it relates to characters in literature, religion, myth, and legend, then I highly recommend Joseph Campbell’s The Hero with a Thousand Faces.

Coming up, I plan to do some posts devoted to each of my main characters. I’m not sure exactly what the content will be, perhaps narrative flashbacks by each, or excerpts that show them in action. Something that will set up their identity without spoiling the story. If anyone has any ideas or opinions on what they would like to hear about, drop me a comment.

Until then, adios!

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What I’m Reading

Posted by mgnann on March 3, 2009

Right now I am almost finished with A Feast for Crows, the last completed book in George R.R. Martin’s Song of Ice and Fire series. Originally I wanted to hold off on starting another unfinished series, but I decided to read the first book to see if it was something I would like and suddenly I found myself three books in. The series is just too good to put down.

I think the next book, A Dance with Dragons, is slated to be out sometime this year. I’ll be really excited to see what happens with my favorite characters, most of which were not included in A Feast for Crows. Until then I wont be a jerk about the release, there are countless other works I want to read.

One is this new book, Anathem, by Neal Stephenson. When I heard about it I wiki’d the author. He also has a series of novels called The Baroque Cycle that seem to be close to historical fiction, while Stephenson himself has called them science fiction. I enjoy such ambiguity between genres.

The baroque era and the late years of the Scientific Revolution is a time period of great interest to me because I am trying to write during a fictional period of Enlightenment. It always helps to see how others do this type of thing.

So after I’m done with A Feast for Crows I’m not sure what I’ll read next, Anathem, or start the The Baroque Cycle. Eventually I’m sure I will read both, so the question is really where to start.

Finally, I want to mention something I have been reading online. On the Tor website there is a (official) re-read of The Wheel of Time series. The lady-person doing the re-read gives a good synopsis of each chapter, then offers some commentary about what happened. She is really very funny and super insightful. I urge anyone who is a fan of the series and is anxious for Sanderson to get us to Tarmon Gai’don, but doesn’t have the time to re-read the extensive series themselves to check it out.

So that’s it for today. I’ll end things with a quote. This is from an interview with Neal Stephenson speaking about the similarities between what computer programmers and novelists do. Now I’m no programmer, but this makes me nod my head up and down.

“In both cases one is trying to build a great big system of words. It is highly structured. The structure has many layers of hierarchy. And there are many links that bind different parts of the structure together, and those links must all be sorted out. It all amounts to a quite elaborate thing. But one can’t work directly on the structure itself; the only way actually to build it is by writing one letter at a time.”

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Upgrayedd!

Posted by mgnann on February 16, 2009

Check it out, things are looking different around here. This new theme is much more functional and pleasing to the eye.  It’s also got widgets so my Google Reader shared items now show up. The “From the Tubes” stuff won’t really have any direct correlation to the story, but it’ll be things that I think are interesting and fit into the bigger picture. There is also a second page with a pinned blurb for the book.

As far as the writing goes, I’ve been working with one of the main characters who becomes very important towards the end of the book. Most of the beginning is driven by the ambitions of the teacher and the soldier, but the wanderer comes into play at the end because of what he knows. He really pulls the protagonists into a storyline larger than their own personal journeys.

Below is an excerpt from a chapter I’ve been working on. Let me know what you think.

A feeling trickled down Riork’s neck like drops of cold water running along his spine. He shivered, and a warmth rushed through his body from the base of his backbone.

The sensation was a familiar premonition, and it often portended some venture. He had it last in Esther when the ship moored, and he saw the Eskandarr’s flags waving over the city. Before that, he felt it in Messah with the Diviners in the city of Caru’va’vien when they spoke of the black obelisk and what was buried beneath.

Come to find out, after all the time he’d spent in the sandseas, the blazing hot sun beating down on his neck, constantly digging into the endless sands looking for a buried city, the treasure was waiting back home.

He remembered how, in the desert, when the sun went down the temperature went with it, and didn’t take long to get near freezing. At night the cold air transmitted sound over the barren sands very well so the noise of the approaching marauders came clearly over the raucous, drunken, card game. For all the relentless digging they did during the day, one would have thought the nights would be used for rest. It was not so. Rather, Riork and the treasure hunters (Riork never thought of himself as a treasure hunter, the others did it as a profession, he had done it on a whim) spent the nights drinking and gambling away fortunes not yet discovered.

When the marauders came the treasure hunters decided to stay, protect the dig. Riork was newly broke, actually in debt, and decided to use the moment to escape. As the treasure hunters gathered their weapons, swords in one hand and bottles of brew in the other, Riork slipped out of the tent into the pitch black darkness.

Everything he owned was strapped to his body. He spent hours walking across the cold, dark ocean of sand, away from the sounds of the attack, until the glowing tents lit by campfires were just small dots against a black veil. Drunken thoughts passed through his mind, and he dismissed them all. The treasure hunters were not courageous; they were fools, confident beyond their abilities. Riork wasn’t deserting them; he was saving his own hide. If the marauders didn’t kill him that night, the hunters would have later on. They were not men of high moral character.

Sitting down on the ground, he took a swallow from the bottle attached to his hand. In the distance, the glow became brighter as the tents caught fire but Riork was already out of the nimbus. Something crawled across his hand, and he jumped up remembering the sands were alive with scorpions during the night. He shook out his coat and brushed himself off and danced from foot to foot, making sure no arthropods were clinging to his clothing, waiting for their chance to sting; silent marauders that they were.

With the drink to keep him warm, Riork watched and listened as the dig camp was torn to pieces. He laughed to himself in the quiet night, knowing there was nothing worth stealing—above the sands at least. Once the raiders figured that out, they left, and Riork started the walk through the cold desert back to Caru’va’vien. He ignored the spirits that hailed him by name and the clatter of a cavalcade that could only be the marauders come looking for him, knowing that these illusions would only leave him lost and wandering the desert until his bones disintegrated.

When the pink and orange dawn broke, he saw the great sprawling city hovering on the sandy horizon, wavering and shimmering. It wasn’t until he put his hand against the stone arches at the entrance to the city, that he was convinced it was not just all some mirage.

He had come back from that trip with some very fine steel. Even when he didn’t bring back the renown goods of a location, which he always tried to do, he brought back understanding: of himself, of the world, of the Apeiron, always another grain of sand in his increasing expanse of desert.

This time he had come back with a plan as well. Find the black obelisk he’d seen once before and retrieve what was almost certainly hidden underneath.

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Maybe Tomorrow Night

Posted by mgnann on February 10, 2009

Hard chapters, I’m working on one now. These pages are not coming out naturally, and when I say that, I mean they are not the results of one of those outbursts of writing where all the thoughts are falling perfectly in line and every word is gold. Man, those times are the best. Your fingers and your brain are doing all the work and you just get to sit there and get to read along. But nights like that are sporadic and do not burn bright for very long. The rest are like tonight.

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I Just Remembered, I Have a Blog

Posted by mgnann on February 5, 2009

I have still been writing. I am not moving as quickly as I would like to be, but I am still close to writing the last part of this book. Things are coming together very nicely and I am pleased with the ending I have in mind, but for it to make sense, I do occasionally work backwards to adjust the scaffolding of implications I wrote and now better understand. Strengthening those chapters can either be fun or torturous.

As I write, thoughts come in bursts and are sometimes underdeveloped. That’s how it goes. I tell myself, that isn’t a reason to stop–get it written down and move on, ride the wave until it crashes and then see what the water has pulled back to reveal. But when writing a story with a plot line based on the made up history of the world I have built, sometimes revisions are necessary for myself to see the big picture move forward.

So that’s what I’ve been doing the last few months. Getting bogged down in the details, revising what has been illuminated as I’ve  gone forward. I am back to primarily working on the novel and not tinkering around with the Mr. James story. I have one more chapter that is mostly complete and I’ll post that in a few days, but that story is what it is, something that I enjoy playing around with and will continue to write, but not a project I want to spend too much time on. At least not right now.

This blog is, however, and I need to do a better job of updating it and I will. So stop yelling at me, voices. I hear you.

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craptoberfest

Posted by mgnann on October 9, 2008

Well, October didn’t get off to a good start. Due to computer thievery, work on the novel has gone from swiftly moving right along to a sputtering shuffle. I had most everything backed up, so nothing irreplaceable is lost, but none of it is accessible right now either. The whole thing just messes with my concentration. I need to be in a zone to get really good work done and this just throws everything out of whack. Oh well, what can you do but keep on going. Hey, at least I got this blog going!

Continuing, I am getting close to putting together the end. It does feel like I am kind of rushing to get there, but that’s okay. Once I have it written, I can go back and start editing. That is when the polished jewel really starts to shine through. Editing is my favorite part because then you can see the whole picture and know what needs to be stressed or shown or removed to enhance the drama and the story.

Despite any setbacks, I still believe I can reach my goal of having the first rough draft completed by the end of the year. I’m traveling to Mexico for Dia de los Muertos and I know when I return I will have a torrent of stuff to put to the page. Travelling always makes me think a lot. Even if it’s just driving down to Savannah, I get some of my best ideas when I’m on the move. Being around different cultures really does it too. I went to Japan last year and once my friend and I got back, when I sat down to write, some of my best work just poured out. So I’m hoping for a big month in November to make up for what is shaping up to be a paltry October.

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gnosistic memes

Posted by mgnann on October 7, 2008

Gnosis is a Greek word that translates as “knowledge”, but means something more like, “enlightenment”. Historically, Gnosticism as a belief system is debatable to date, depending on interpretations of when an abstract idea becomes tradition or school of thought.

“It is nearer the truth to say that Gnosticism expresses a specific religious experience, an experience that does not lend itself to the language of theology or philosophy, but which is instead closely affinitized to, and expresses itself through, the medium of myth. Indeed, one finds that most Gnostic scriptures take the forms of myths. The term “myth” should not here be taken to mean “stories that are not true”, but rather, that the truths embodied in these myths are of a different order from the dogmas of theology or the statements of philosophy.” [1]

…the truths embodied in these myths. While I do not subscribe to any religion, I think this phrase explains the worth I see in them. I wanted to carry over the same type of view into my own story. It is a myth and there are memes of thought within it that explain my views in much the same way a religious text could.

Gnosticism as a religion probably sprung up in conquered cities and lands as an attempt to reconcile contradictory ideas where the ruling religion was made dominant over the lesser, more local beliefs. Being an amalgamation of various schools of thought it allows for many interpretations, and as explained above, the scriptures written were intended to be vessels for eternal memes. It sheds the weight of theology and instead concentrates on the truths of higher realms and presences.

To look at this in a more secular light; even science is guided by intuition. Current quantum physics is now so far advanced that some of our theories cannot be tested with the available technology. But that doesn’t stop scientists who are confident that they are getting closer than ever to outlining a universal theory of everything. Science is on the brink of better understanding things such as the Big Bang, dark fields of matter, and hidden dimensions within string theory, mostly by using our skills of reason and logic and building upon rules that we can know and test.

I wanted to incorporate some of these patterns of reality into my own story. The magic system in my book is based along the lines of gnosis. Like any good religion, the story behind Gnosticism is chocked full of good themes, characters, plot lines and areas of contemplation. So I stole some of them and used them in the flexible way they are presented to tell a story.

Here is a very rough synopsis of Gnostic myth. If this doesn’t sound like the plot to a science fiction story then I don’t know what does:

The Highest God emanated into numerous lesser gods called Aeons, who were created in male/female pairs. Together, the Aeons made up the entire pleroma of the Divine First. But when one Aeon named Sophia emanated without her male counterpart, the Demiurge was born. The Demiurge then went on to create a world in his image, either ignorant of or in spite of the Monad. That world that was created is the physical world that we live in and know. Some of us humans have the ability to connect with the larger spiritual world through the internal knowledge we have left over from the original first move. These gifted ones are able to transcend the physical and have direct contact with the spiritual, resulting in a reconnection with the Monad and a state of enlightenment.

The Gnostics were fond of saying, “faith is for the many, knowledge is for the few”. What they didn’t mean was that knowledge was to be withheld from the populous (remember the uppermost definition of what gnosis meant to the Greeks), but that that most of the populous would never be capable of true transcendence.

Again, I carry this idea over into my own story and make this divine intuition my “magic”. It is not available to all, and purports to give an air of mystery and power granted by gods. Perfect fantasy stuff.

Later on I want to look at some of the similarities between Gnosticism and other religions. Also look at it within the realms of science and general quantum theories so as to give a little more insight on how these same memes of eternal truth cross over into other parts of our knowledge and understanding of the world. Perhaps be more specific as to how some of these themes cross over and take root in my own tale.

If you want a more thorough description on the Gnostic world view, I suggest you go here or just go here and keep reading.

[1] The Gnosis Archive

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Speculative Fiction as Philosophy

Posted by mgnann on October 1, 2008

“People who view fantasy as second rate or childish are usually people who don’t read or understand it. I like to tell them that good fantasy is social commentary combined with good storytelling – Tolkien, C. S. Lewis, the Oz stories and so many others. Sure, the stories take place in an imaginary world. But those worlds mirror our own and tell us things about ourselves that need to be said and understood. I also like to tell them how often other forms of literature use fantasy as the bedrock of their own stories. Fantasy transcends its own form in wider scope than any other type of writing. So those who don’t like it probably haven’t found the right story or storyteller and need to give it another shot.” – Q& A with Terry Brooks.

So I’m asking myself, when did I understand fiction could function as philosophical literature? Since I cannot point to a certain event or realization, I would have to say it was something that came to me over time, like the tide coming in slowly so that you do not realize it’s arrival until your shit is all wet.

By speculative fiction I mean fiction with settings or themes which differ from what is found in our own world and is presented with the intentional purpose of considering the results of the differences. This can include, but is not limited to, science fiction, horror, fantasy, and the type of hero fiction most commonly associated with comic books

It is in these stories authors often remove or change that which is most inherent to our familiar society. In science fiction, the setting is often space, or another planet. In fantasy, religion and the gods behind it frequently compose the central change. In horror, we might deal with a broken civilization due to the consequences of a braaaiin eating zombie outbreak.

While its true that the real reason I started writing a fantasy novel is because I was a fifteen year old nerd, that has changed a little over time. I began to see that the fantasy setting was really the best medium to explore some philosophical, religious, and historical ideas that interested me. I saw I could isolate these things in a vacuum that either highlighted or tore down their most fundamental aspects so as to explore the theoretical repercussions on people and community.

For example: I wondered how interesting it could it be to explore an information Singularity as an inverse of the creation story told by the 10 emanations of the Sephirot? I liked the idea so much it became a central plot line in the book. The main character, Kabladan, is working to bring a sort of information Singularity to his world, while some of his opponents adhere to the idea that some knowledge is sinful. (Heard that old yarn that says original sin came when we ate from the Tree of Knowledge?)

Believe me, I didn’t plan it that way–I’m not that smart. But while writing I began to see the place for such thoughts which lent heavily to plot and character development. Also I began to explore other works that did similar things, trying to see how these authors had mastered the symbiosis between story-telling and theoretical considerations.

In Harry Turtledove’s Darkness series he recreates a world that is much like our own and tells a story that is similar to the general plots of WWI and WWII. He replaces technology with magic and follows the view points of many characters from various classes of society. Interesting to me is the way that Turtledove uses magic as a field of study. It is more along the lines of a science, which works well when his mage characters begin to delve into the magic which is nuclear technology in our world.

Another story I just recently picked up, Phillip Pullman’s His Dark Materials, turned out to be much more than juvenile fiction. His first book explores a world where the Protestant Reformation never took place and the series has deep ties to John Milton’s Paradise Lost, arguably one of the greatest pieces of literature written in the English language.

Not only is it entertaining for us to change the things most static in our lives out and see how they would play out, it’s also a way to contemplate on our current situation and think about things abstractly. Speculative fiction is the original life simulation experiment–before Will Wright. In some cases, as we travel forward through time, that which was science fiction becomes reality and the value of having previously explored these topics becomes invaluable. How important will Isaac Asimov’s Three Laws of Robotics be in the future?

The types of human beings that are most comfortable exploring new ideas and not clinging to stability are often the most interesting and trail blazing types of people. Exploring theoretical  worlds where the things that are the most concrete in our lives are changed, promotes the type of malleable thinking that needs to accompany important decisions.

Because, don’t we hope that the folks who build the Predator drones remember the Skynet I’m thinking of.

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the book

Posted by mgnann on September 25, 2008

“Which, if not victory, is yet revenge.”  – John Milton. Paradise Lost.

The story revolves around Stoker Kabladan, a man who brings a military campaign across the world. With him comes an esoteric power, harnessed by his own armies but spreading rampantly through the people and territory he conquers.

In Kabladan’s wake of ash and blood there are thousands who desire revenge. Our story follows five who will–by either chance or fate –come together and find themselves involved in something much more grand than their desire for bloody closure.

A soldier who values his religion and country above all else. A small town school teacher who is learning from her newly instilled power. A young brother and sister, who have had everything familiar taken from them. And a wanderer with too much understanding to ignore what is happening in his world.

These companions are not in a quest for glory, they only seek retribution. However in the end, they will have to question their creeds and motivations as they confront Kabladan’s intentions, and learn the truths of a time dangerously erased from history, forgotten to the populous, but about to be reborn.

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